Showing posts with label aaron beck photography. Show all posts
Showing posts with label aaron beck photography. Show all posts

Tuesday, October 6, 2009

geotagging

Wouldn't it be cool to draw a circle on google earth or a map, then type "kayaks" and have every image of kayaks within that circle appear? As far as I know we can't do that yet, but from a business standpoint I want to be ready for the day when geographically dynamic images searches are available.

Read on to learn more about geotagging and the tools necessary to add it to a photography workflow.



How cool would it be if someone could come to my web-site, type in the search term "bike" then draw a circle on a map and come up with all my images of bikes that were shot within that circle?
Or better yet, from a photo-editor or photo researcher's standpoint, how convenient would it be for them to do a google search for "horse" then draw a circle on a specific area of Nevada and have all the horse images from the geotagging savy photographers show up on a search?
What if you could right click an image and have an option "reveal shoot location in google maps"? Maybe I'm kidding myself, maybe outside of GE or telling your friends about your last great adventure, knowing exactly where you shot an image will never be commercially useful.
I think it will be valuable one day.

A field for GPS coordinates exists in the EXIF metadata field - a standard format for digital photography. Incredibly, the field is most often left empty - even by most professional photographers. There are a few reasons for this, the first is that right now there seems to be little value attached to the information, and secondly the information doesn't appear automatically when the image is created and it is too much extra work to add the information.

Geotagging - the process of inserting GPS data and coordinates into the metadata fields of digital images - seems to have limited value for most professional photographers. As with most processes that involve full and detailed disclosure, geotagging appears to offer the most benefit to the client or end user.

Standardized and accurate geotagging could preclude a stock photographer from adding a misleading description such as "Man releases trout on the Middle Fork of the Salmon River in Idaho's Frank Church River of no Return Wilderness" to a generic image of a fish and a net with no visual context. By looking at metadata a client might recognize a stock photographer trying to pull one over on them, or a customer or end user might more readilly recognize a corporate add trying to portray themselves as something they are not.
I wonder if standardized geotagging could help create a need for the creation of more original imagery? At the very least geotagging would confirm the claims of an honest stock photographer, and we don't know what technologies have yet to be invented that might exploit this information in ways we can't imagine.

The more immediate reason why the GPS field is often left blank is that geotagging seems like too much extra work. It is logical to assume that someday all our cameras will be gps equipped (the recently released Nikon Coolpix 6000 is the first) and all sorts of data will be written the moment the shutter is released. As of now we are forced to pack around and learn how to use either a traditional gps unit or a photographer specific "geotagging unit," then download and handle the gps data, and finally use third party software to write the coordinates to each image. What a freaking pain. There are already to many steps in most photographers' work flow. Add one more step? Plus, it sounds like something a geeky HP engineer would do after skimming the Craigslist personals on a Saturday morning.

Or Birddog when he is high on narcotics.


In short, geotagging works like this:
1) to the second set your camera's clock to your gps clock
2) turn on and carry gps with tracklog intervals set to 5 seconds or less as you shoot
3) download gps tracklog and photos to computer
4) use 3rd party software that looks at the synched time data to match each image to gps coordinates


While flickr. google, picassa and now even iPhoto '09 offer labor intensive manuel map based solutions there are two approaches that make sense for volume geotagging. The first approach is to use pretty much any normal gps unit to create track logs, then employ third party software to sync up the time stamps, coordinates, and individual images.
The second approach is to buy a photographer specific "geotagging unit," then use included or third party software to sync images and tracklogs.
Either way, it is one more thing the photographer has to pack, travel and shoot with, more batteries to purchase, change and throw away, more software to learn and integrate into a work flow. Oh, boy I can't wait until gps units are included in Canon cameras. In the mean time Adobe engineers should include an "integrate .gpx tracklog on import" option in the import dialogue box of the next Adobe PhotoShop Lightroom update.


As of now, we got what we got.

The advantages to a photographer specific "geotagging unit" over a standard gps unit may include the following:
-lightweight
-long battery life
-relatively affordable
-nothing to learn, a dummy assistant can hit an on/off switch
-remains with camera gear at all times - you'll never forget if you left it in your car, with your flying kit, in your fishing/hunting gear, on your bike, who you lent it to,
-anything else?


Here are a few photographer specific geotagging units:
Royaltek RBT-2300
Holux M-241
Amod AGL3080
GiSTEQ PhotoTrackr CD111
JOBO photoGPS
Qstarz BT-Q1000X
Eye-Fi Pro - this is a cf card that detects local wi-fi connections to automativally geocode your images as you shoot! Super cool if you only take photos at starbucks, the mall, or the airport. Gag me now.


Until I decide which unit to go with I will make do with the Garmin GPSmap 76s gps unit that I fly with and third party software of which there are many options:
GeoSetter seems to be the most talked about on forums, but it is a windows-based program so that doesn't work for me.
In true Google form Google offers a free open sourced version called gpicsync which I overlooked before, but will try.
$30 HoudahGeo

I downloaded and tried out two pieces of software today. Jeffrey’s “GPS-Support” Geoencoding Plugin for Lightroom promised to integrate into my regular LR workflow. It was easy to use, install and it included some cool info like speed and bearing (which, come to think of it is useless unles you were to duct tape your GPS unit to your camera).
Unfortunately, the Geoencoding Plugin writes metadata as a shadow, and the data appears a made up data field - not the EXIF GPS data field. I exported a test with Jeffrey's "include shadow on export" option turned on but the GPS data was useless outside of Lightroom. So much for seamless workflow integration.

I'll give the Google software a go the next chance I get, but I might just use gpsphotolinker with a modified work flow for a while.

New workflow:
1) drag 'n drop/copy image files from card reader to folder on desktop
2) connect GPS to computer
3) import image files/folder into gpsphotolinker
4) use gpsphotolinker to access GPS and sync tracklog to images
5) import images to LR as normal



A screen capture of the GPSphotolinker interface

What I like about gpsphotolinker so far is that I don't have to download track logs separately - it can extract track logs from my gps, and it writes GPS and elevation data to the EXIF field as well as city, state, and country information to the IPTC fields. I exported a test file and the coordinates and elevation data were included in the exported file. Sweet.



In LR I can click on the GPS metadata field and a google maps page opens with the location marked on the map.

Makes me want to take a trip.


More after the jump...

Monday, April 20, 2009

New Launch

Last Friday Patrick and Tyler pioneered a new flying site in Horse Shoe Bend. They still need to come up with a name but I'll call it Runaway Ridge because the launch is situated between two runaway truck ramps on the "new" Horse Shoe Bend grade.


Clancy and Tyler at the Runaway Ridge L.Z.

Hiking through sage brush on the approach.


Monday's forecast looked lame with a discouraging positive number on the thermal index chart, and high pressure. John Todd, Clancy, Tyler and I were willing to risk a sled ride however and we made the steep hot trudge from the last truck ramp up the north face to the new launch.

"Yea, I would like to sell all those Kyrgastani Som's I purchased two years ago and buy back my American dollars. Oh, really? I made that much?" - Tyler placing currency orders on the hike:



John Todd killing the kids on the hike:



On the hike up we observed one Red-Tail climbing out in light lift from the parking lot, and one crow playing in equally light lift just below launch.

John Todd's second launch attempt worked out well, and as he flew towards the highway we watched him fly through two small speed bump pockets of up before flying out over Horse Shoe view subdivision and drifting down to the rig.



Soon after Tyler cleaned some sticks from his lines and made a few boaty turns before heading to the l.z.








Clancy nailed his launch during a fairly decent cycle, but rolled unlucky dice flying into sink and bombing out.





I clipped in for a sledder, launched in a near calm lull, flew out over the road-cut and found some very slow rising air. I barely climbed above the ridge, took in some view of Bogus, scarred up a couple deer, had a look at a sheepherder's wall tent, and tried to fly to the gutter to see if I could convince any paddlers to learn how to fly. I didn't make it that far. If you have Google Earth you can download my track log.

Thanks to Patrick and Tyler for finding a new launch, and Clancy for driving. Hope to see you in the air more often John.

Whatever you do have fun. More after the jump...

Saturday, April 18, 2009

Like Cream and Butter

Another incredible glass-off tonight. Incredibly, I was once again the only person in the air. Actually, I got a phone call from Clancy just as I landed. He flew his paramotor this afternoon, spent the evening searching out ridge lift on obscure ridges south of Kuna, then climbed to 6,000 for the sunset. Makes a fella want to get a motor. Hmmm....

I'm not complaining however. Thanks to my cousin Ryan for giving me the first set of images I've had of myself in the air in a long time:









The sunset was great again tonight. Let me know if you ever want to go for a hike in the foothills and watch the sunset over the Boise river together. Aren't we lucky? More after the jump...

Wednesday, April 15, 2009

I'm not anywhere near "that."

Not yet.
I mean with my images, and my image making capabilities of course. I am not yet anywhere near "that." The truth is, as a photographer I suck. I'm not supposed to be any good right now. The long term vision and ideal is rolling around somewhere in my head. I know I will gravitate in the right direction.

As I watched Zach Arias critique the work of aspiring photographers this evening, I was reminded of an interview I saw about a year ago in which Ira Glass* addressed the enormous gap between an individual's taste and their capabilities. Ira suggests that anyone who sets off down a creative path will most likely have good taste, but will inevitably not yet have the skills and experience required to execute their creative vision.

I think this could be said about anyone who sets out to learn anything new, whether creative or not. Everyone has enough good taste and understanding to recognize that Shane McConkey ripped, or that Sheila Mills knows what to do with duck cumin sausage, but rail sliding an Alaska ridge line on a pair of water skis or publishing a fourth cook book are not things most of us could pull off in the next year.

I looked up the Ira Glass interviews on youtube tonight. He also offers some great insight into the dual requirements of good story telling which he identifies as the anecdote followed by a moment of reflection.

From the first moment I picked up a camera with the intention of consciously creating I have struggled to understand how to execute something meaningful. The fact is, it's difficult to articulate what is in my head, what it is that I'm trying to do with images. I suppose what I'm trying to do is produce engaging images, as Ira said "you don't want to make mediocre stuff." No I don't.

Ira's toolkit for great story telling reminded me of a conversation I had with Glenn Oakley and a creative director while on a shoot this past winter. All three of us agreed that one element of a great image is that the image not be too literal. Great images lead the viewer down a path, but allow the viewer to complete his or her own version of the story based on personal perceptions, conceptions, and ideas. THAT is the whole idea, to ENGAGE the viewer.

While I have juggled and played with these ideas internally, and even verbally articulated them to friends, this is the first time that I have and publicly stated the weakest element of my images and pointed to one of my personal goals, which is to be less literal and more suggestive with the images that I produce. An Alec Soth quote hangs over my desk and stares me down every day, "Photography tells a story. But more often Photography suggests a story." Yeah, "that" is the direction I want to head with my images.

My creative future must lie in the power of suggestion. Oh, and in perseverance, a "F*** you" attitude in the face of failure, the ability to abandon crap then find a good story, and as Ira says to continue to kill it, to be ruthless every day in the pursuit of "that."





*If you live in a cave that blocks the reception of all NPR frequencies and you don't know who Ira Glass is, do yourself a favor and spend a Sunday afternoon with a garden trowel in your hand, and tune the radio tuned to This American Life. I guess it is 2009, you could also just download or podcast the episodes.

Life is Grand! More after the jump...

Thursday, April 9, 2009

Lisa Tate at her Studio

I hung out with my friend Lisa Tate this afternoon. See more of her beautiful work here.







More after the jump...

Saturday, March 28, 2009

Tuesday, March 24, 2009

Fernie B.C.

Em drove me up to Fernie, B.C. I want to go back. Amazing scenery. Great terrain. Down home people. Canadian prices (one of the best burgers I've ever eaten, Canadian cheap). Comfortable - unlike Jackson, S.V., or Aspen. And cute Kiwi lifties willing to explain New Zealand terms like Moose Knuckle. Mooose Knuuuuckle!






More after the jump...

Saturday, September 27, 2008

New pilot in the valley

This plane was checking out the new pilot we have in the Boise PG community.



Clancy is a Junior at BSU, originally from Weiser. I plan to feed him Yost's sound school advice: "You can always re-take a class. You can never re-live a moment." And convince him that blowing off school for a PG trip to India is the best thing he could do with his life next fall. Here he is flying at his favorite Idaho ridge site, Swan Falls:









More after the jump...